Scientific and Technological Reverie

In this series, organic forms confront constructed systems. Small, familiar creatures appear in controlled, physics-driven environments where natural behavior meets repetition and order. The works explore the relationship between autonomy and external constraint.

“Schrödinger’s Resin Cat”

Schrödinger’s Resin Cat | Acrylics and Oils on Canvas | 60 x 80 cm

>> Acrylics and Oils on Canvas
>> 60 x 80 cm

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A depiction of the unpredictability inherent in 3D printing. A cat forms layer by layer in a DLP resin printer. Drawing on the thought experiment of Erwin Schrödinger, the work proposes that until the printer is opened, the cat exists in a suspended state, both successfully printed and failed at the same time. Bright colors contrast with the technical precision of the process, whose outcome often remains indeterminate until the final stage.

“L’Hôpital’s Feast

>> Acrylics and Oils on Canvas
>> 70 x 50 cm

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In a grand library, Guillaume de l’Hôpital stands before two cakes. A fork and spoon engraved with f(x) and g(x) hover over the first cake but pass through it without effect. Beside them, smaller utensils marked f′(x) and g′(x) cut cleanly into the second. The scene translates the principle of L’Hôpital’s Rule into a visual analogy: when functions do not yield a determinate limit, their derivatives provide a workable form. The painting renders this calculus method as a precise, almost literal transformation of tools.

“Rosensweig Instability”

>> Acrylics on Canvas
>> 63 x 44 cm

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A hedgehog sits at the center of a Petri dish. A magnet beneath it activates the surface into sharp, black ferrofluid spikes, evoking the Rosensweig instability.